Modernismo + Arquitetura = Democracia: o apagamento da ditadura do Capital Cultural no MoMa

Autores

DOI:

https://doi.org/10.37916/arq.urb.vi29.490

Palavras-chave:

Exposições, MoMA, pós-guerra, arquitetura latino-americana, Brazil Builds, arquitetura moderna, Henry-Russell Hitchcock

Resumo

Como artefatos culturais, as mostras de arquitetura fomentaram imaginários políticos dominantes. Em meados da metade do século 20, o Museu de Arte Moderna de Nova York e seu Departamento de Arquitetura e Design apresentaram a arquitetura moderna como um símbolo de liberdade e democracia sob incentivo governo dos Estados Unidos. A arquitetura moderna na América Latina desempenhou um papel importante nessa visão de mundo. Começando com a exposição Brazil Builds, o MoMA (Museu de Arte Moderna de Nova York) implantou uma forte agenda curatorial sendo palco para essa mensagem, usando suas exposições como armas culturais para gerir ditaduras América Latina e para explicar ao público americano como a “democracia” funcionava nessa região.

Downloads

Não há dados estatísticos.

Biografia do Autor

Patricio del Real

Patricio del Real é professor de História da Arte e Arquitetura na Harvard School. Ph.D. pela Columbia University e mestre Graduate School of Design de Harvard, foi co-curador do Latin America in Construction: Architecture 1955-1980 (Philip Johnson Exhibition Catalog Award).

Referências

Barr, Alfred H., Jr. "Is Modern Art Communistic?" The New York Times, 14 de Dezembro de 1952, SM22.

Davis II, Charles L. Building Character: The Racial Politics of Modern Architecture Style. Pittsburgh: University of Pittsburg Press, 2019.

del Real, Patricio. "Para Caer En El Olvido: Henry-Russell Hitchcock Y La Arquitectura Latinoamericana." Block, n. 8 (2011): 48-57.

———. "Un Gusto Por La Cerveza: El Decubrimiento De Henry-Russell Hitchcock De La Arquitectura Latinoamericana / a Taste for Cerveza: Henry-Russell Hitchcock's Discovery of Latin American Architecture." Trace, n. 7 (2013): 60-67.

Dondero, George. "Americans Take Notice—School of Political Action Techniques." Cap. Parte 5 In 92 Congress Record (79th Congress 2nd Session, House of Representatives, Tuesday, June 11, 1946), 6699-702. Washington D.C., 1946.

Eisenhower, Dwight D. "Freedom of the Arts." The Bulletin of the Museum of Modern Art 22, n. 1/2 (1954): 3.

Goodwin, Philip L. "Modern Architecture in Brazil." In Studies in Latin American Art; Proceedings of a Conference Held in the Museum of Modern Art, New York, 28-31 May 1945, under the Auspices of the Joint Committee on Latin American Studies of the American Council of Learned Societies, the National Research Council and the Social Science Research Council, edited by Elizabeth Wilder Weismann, 89-95. Washington,: American Council of Learned Societies, 1949.

Guilbaut, Serge. How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War. Chicago, IL: University of Chicago Press, 1985.

Hitchcock, Henry Russel, Jr. "Latin-American Architecture." Journal of the Royal Society of Arts, no. March (1956): 344-56.

Hitchcock, Henry Russell. "Men of the Year (Henry-Russell Hitchcock Interview by Sam Lambert)." Architect's Journal 123, n. 3177 (Janeiro 19 1956): 82-84.

Hitchcock, Henry Russell, Arthur Drexler, and Museum of Modern Art (New York N.Y.). Built in USA: Post-War Architecture. New York,: Distributed by Simon & Schuster, 1952.

Hitchcock, Henry Russell, and Museum of Modern Art (New York N.Y.). Latin American Architecture since 1945. New York,: Museum of Modern Art, 1955.

Hitchcock, Henry-Russell, and Museum of Modern Art (New York N.Y.). Latin American Architecture since 1945. New York,: Museum of Modern Art, 1955.

Kimmelman, Michael. "Revisiting the Revisionists: The Modern, Its Critics, and the Cold War." In The Museum of Modern Art at Mid Century at Home and Abroad. Studies in Modern Art, 38-55. New York: Museum of Modern Art, 1994.

Lynes, Russell. Good Old Modern; an Intimate Portrait of the Museum of Modern Art. [1 ed. New York,: Atheneum, 1973.

Mock, Elizabeth B. "Building for Tomorrow." Travel 81 (June 1943): 26-30; 32.

Mumford, Lewis. "The Death of the Monument." In Circle: International Survey of Constructive Art, editado por Naum Gabo. London: Faber and Faber, 1937.

———. "The Sky Line: The Drab and the Daring." The New Yorker, n. 4 de Fevereiro (1956): 82-86.

Newhouse, Victoria. Wallace K. Harrison. New York: Rizzoli, 1989.

Quezado Deckker, Zilah. Brazil Built: The Architecture of the Modern Movement in Brazil. New York: E&FN Spon, 2000.

Reich, Cary. The Life of Nelson A. Rockefeller: Worlds to Conquer, 1908-1958. 1 ed. New York: Doubleday, 1996.

Rivas, Darlene. Missionary Capitalist: Nelson Rockefeller in Venezuela. Chapel Hill, NC: University of North Carolina Press, 2002.

Saarinen, Aline B. "Drama in Building: The Museum of Modern Art Sets Forth Impressive Latin-American Show." The New York Times, Doming, 27 de Novembro, 1955, x12.

Sadlier, Darlene. Americans All: Good Heighbor Cultural Diplomacy in World War Ii. Austin: University of Texas Press, 2012.

Silvestri, Graciela. Ars Publica: Ensayos De Críca De La Arquitectura, La Ciuadad Y El Paisaje. Buenos Aires: Sociedad Central de Arquitectos, 2011.

Williams, Daryle. Culture Wars in Brazil: The First Vargas Regime, 1930-1945. Durham [N.C.]: Duke University Press, 2001.

Publicado

2020-12-08

Como Citar

del Real, P. (2020). Modernismo + Arquitetura = Democracia: o apagamento da ditadura do Capital Cultural no MoMa. arq.Urb, (29), 08–19. https://doi.org/10.37916/arq.urb.vi29.490

Edição

Seção

Artigos