Modernismo + Arquitetura = Democracia: o apagamento da ditadura do Capital Cultural no MoMa

Patricio del Real

doi:10.37916/arq.urb.vi29.490

Autores

Patricio del Real https://orcid.org/0000-0001-6514-2921

DOI:

https://doi.org/10.37916/arq.urb.vi29.490

Palavras-chave:

Exposições, MoMA, pós-guerra, arquitetura latino-americana, Brazil Builds, arquitetura moderna, Henry-Russell Hitchcock

Resumo

Como artefatos culturais, as mostras de arquitetura fomentaram imaginários políticos dominantes. Em meados da metade do século 20, o Museu de Arte Moderna de Nova York e seu Departamento de Arquitetura e Design apresentaram a arquitetura moderna como um símbolo de liberdade e democracia sob incentivo governo dos Estados Unidos. A arquitetura moderna na América Latina desempenhou um papel importante nessa visão de mundo. Começando com a exposição Brazil Builds, o MoMA (Museu de Arte Moderna de Nova York) implantou uma forte agenda curatorial sendo palco para essa mensagem, usando suas exposições como armas culturais para gerir ditaduras América Latina e para explicar ao público americano como a “democracia” funcionava nessa região.

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Biografia do Autor

Patricio del Real

Patricio del Real é professor de História da Arte e Arquitetura na Harvard School. Ph.D. pela Columbia University e mestre Graduate School of Design de Harvard, foi co-curador do Latin America in Construction: Architecture 1955-1980 (Philip Johnson Exhibition Catalog Award).

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